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The heart in winter : a novel / Kevin Barry.

By: Material type: TextTextPublisher: New York : Doubleday, [2024]Copyright date: ©2024Edition: First American editionDescription: 243 pages ; 20 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780385550598
  • 0385550596
Subject(s): Genre/Form: LOC classification:
  • PR6102.A7833 H43 2024
Summary: "A love story about outlaws in a community of Irish workers in Montana"-- Provided by publisher.
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Holdings
Item type Current library Collection Shelving location Call number Status Date due Barcode Item holds
Adult Book Phillipsburg Free Public Library Adult Fiction New Books FIC BARRY Available 36748002562249
Total holds: 0

Enhanced descriptions from Syndetics:

A MOST ANTICIPATED BOOK: THE LA TIMES, THE GUARDIAN, AND MORE! * Award-winning writer Kevin Barry's first novel set in America, a savagely funny and achingly romantic tale of young lovers on the lam in 1890s Montana.

"A wedding of Cormac McCarthy with Flann O'Brien; a western but also the most Irish of novels; a tragedy written as farce . . . inspiring joy with every incident, every concept, every sentence."-- The Guardian

October 1891. A hard winter approaches across the Rocky Mountains. The city of Butte, Montana is rich on copper mines and rampant with vice and debauchery among a hard-living crowd of immigrant Irish workers. Here we find Tom Rourke, a young poet and ballad-maker of the town, but also a doper, a drinker, and a fearsome degenerate. Just as he feels his life is heading nowhere fast, Polly Gillespie arrives in town as the new bride of the extremely devout mine captain Long Anthony Harrington. A thunderbolt love affair takes spark between Tom and Polly and they strike out west on a stolen horse, moving through the badlands of Montana and Idaho, and briefly an idyll of wild romance perfects itself. But a posse of deranged Cornish gunmen are soon in hot pursuit and closing in fast. With everything to lose and the safety and anonymity of San Francisco still a distant speck on their horizon, the choices they make will haunt them for the rest of their lives.

In this love story for the ages--lyrical, profane and propulsive--Kevin Barry has once again demonstrated himself to be a master stylist, an unrivalled humourist, and a true poet of the human heart.

"Originally published in hardcover in Great Britain by Canongate Books Ltd., London, in 2024."

"A love story about outlaws in a community of Irish workers in Montana"-- Provided by publisher.

Reviews provided by Syndetics

Library Journal Review

Barry's (Night Boat to Tangier) gravelly audiobook narration amplifies his gritty Western set in 1891 Butte, MT, during the copper-mining heyday. Tom Rourke, an Irishman with a morphine and alcohol habit, encounters Polly Gillespie, an Irish mail-order bride from Chicago, on the day she is posing for her marriage portrait with her new husband, a mining captain. Unable to clear Polly from his thoughts, Tom delivers her wedding photos to her home and continues to find reasons to return after that. While Polly's husband works, Polly and Tom share stolen moments together, and love blooms--along with a plan to run. After stealing money and a horse, the ill-fated lovers flee Butte for San Francisco to begin their life anew. Along their westward trek, they fight vicious cold and snow and encounter unique characters such as a fiddle-playing, mushroom-ingesting Métis couple and a garrulous English reverend who's overly fond of tequila. Unbeknownst to them, however, Polly's woebegone husband hires a band of outlaws to hunt down the lovers and return his wife to Butte. VERDICT Barry's husky narration, in the manner of an Irish Batman, is fresh and well suited for this exceptional story of forbidden love set against a brutal Montana landscape. Fans of Cormac McCarthy will particularly relish it.--Kym Goering

Publishers Weekly Review

This rip-roaring western from Barry (Night Boat to Tangier) chronicles the misadventures of an opium-smoking Irishman. The story begins in 1891 Butte, Mont., where reckless Tom Rourke senses "the approach of a dangerous fate." He fancies himself a poet and balladeer, and to pay for his booze and dope, he writes letters to prospective brides on behalf of illiterate men. He also spends a lot of time admiring himself in saloon mirrors ("He wore the felt slouch hat at a wistful angle and the reefer jacket of mossgreen tweed and a black canvas shirt and in his eyes dimly gleaming the lyric poetry of an early grave and he was satisfied with the inspection"). After he meets Polly Gallagher, a mail-order bride from Chicago, the two trade lines of poetry and begin a passionate and chaotic affair. They burn down a boardinghouse, rob the safe, steal a horse, and head west across Montana to Idaho, with a posse in pursuit and tragedy in tow. The action is rendered in crisp and gritty prose, and the sensual descriptions of Tom and Polly's lovemaking are gloriously over-the-top. The pleasure never lets up in Barry's masterful novel. Agent: Lucy Luck, C&W. (July)

Kirkus Book Review

Would-be outlaws, tough dames, large gunmen, and lousy lovers commingle in this heady yarn. The restless Barry mind has carried readers from a hellscape of Celtic gangbangers (City of Bohane, 2012) to John Lennon visiting an island he owned (Beatlebone, 2015) to most recently a pair of bantering ex-drug dealers in a Spanish ferry terminal (Night Boat to Tangier, 2019). Here he's gone West, to Butte, Montana, in 1891. Tom Rourke has been drifting between bars and brothels and opium dens and dreaming of "being the outlaw type" when he falls hard for Polly Gillespie. She's just arrived from the East and is newly married to gruff mining boss Anthony Harrington, who preps for his wedding night with self-flagellation and crazy prayer. She and Tom soon light out for San Francisco after stealing cash and a horse and plotting a vague route to the train station in Pocatello, Idaho. Not far behind them are Harrington's hired pursuers, led by a Cornish gunman seven feet tall and half as wide. At bottom, the novel offers fairly standard fare for a Wild West tale, but the Irish writer's humor and prose magic give the genre's conventions a refreshing spin. He recalls Flann O'Brien's mock-heroic flair in At Swim-Two-Birds and the phrase-weaving and less extreme moments of weirdness in William Kotzwinkle's The Fan Man and Barry Hannah's The Tennis Handsome. A dissipated photographer has "the look about him now of dying poultry." For a man with a hangover, his "noggin end was a tower of screeching bats" and "his stomach was a failing metropolis." A stranger met on the road "wore a heap of weather and a troutbrown corduroy longcoat." Barry's fans will be delighted and many a newbie beguiled. Copyright (c) Kirkus Reviews, used with permission.
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