Enhanced descriptions from Syndetics:
A coming-of-age comedy. A telenovela-worthy drama. A moving family saga. All in a phone call you won't want to hang up on.
"Brilliant . . . Melissa Mogollon did not come to play."--Kiley Reid, New York Times bestselling author of Such a Fun Age
"Yes, hi, Mari. It's me. I'm over my tantrum now and calling you back . . . But first--you have to promise that you won't tell Mom or Abue any of this. Okay? They'll set the house on fire if they find out . . ."
Structured as a series of one-sided phone calls from our spunky, sarcastic narrator, Luciana, to her older sister, Mari, this wildly inventive debut "jump-starts your heart in the same way it piques your ear" (Xochitl Gonzalez). As the baby of her large Colombian American family, Luciana is usually relegated to the sidelines. But now she finds herself as the only voice of reason in the face of an unexpected crisis: A hurricane is heading straight for Miami, and her eccentric grandmother, Abue, is refusing to evacuate. Abue is so one-of-a-kind she's basically in her own universe, and while she often drives Luciana nuts, they're the only ones who truly understand each other. So when Abue, normally glamorous and full of life, receives a shocking medical diagnosis during the storm, Luciana's world is upended.
When Abue moves into Luciana's bedroom, their complicated bond intensifies. Luciana would rather be skating or sneaking out to meet girls, but Abue's wild demands and unpredictable antics are a welcome distraction for Luciana from her misguided mother, absent sister, and uncertain future. Forced to step into the role of caretaker, translator, and keeper of the devastating family secrets that Abue begins to share, Luciana suddenly finds herself center stage, facing down adulthood--and rising to the occasion.
As Luciana chronicles the events of her disrupted senior year of high school over the phone to Mari, Oye unfolds like the most fascinating and entertaining conversation you've ever eavesdropped on: a rollicking, heartfelt, and utterly unique novel that celebrates the beauty revealed and resilience required when rewriting your own story.
Reviews provided by Syndetics
Library Journal Review
DEBUT Mogollon debuts with a coming-of-age comedy, told as a series of one-sided telephone conversations between Luciana, a struggling Colombian American high school senior, and her older sister Mari, who shines academically. Luciana's family finds themselves in the path of Hurricane Irma and are unable to convince Luciana's wildly independent grandmother Abue to evacuate, so they reluctantly leave without her. The storm changes course, leaving Abue safe, but when they return from their road trip they discover that she is seriously ill with cancer. At the hospital, Luciana is called upon to act as translator/referee between the medical staff and her family. At home, the need to keep Abue in check often requires Luciana to be the adult in the room. In the hours they spend together, she learns about her grandmother's traumatic childhood and the reasons for her fierce need for independence. Through this experience, Luciana learns to be herself and to see death as new beginning. VERDICT Luciana's emotional journey to self-acceptance, via the many trials she encounters, is compelling. The unique structure of the novel and its emotional and often hilarious dialogue will appeal to all audiences.--Joanna M. Burkhardt
Publishers Weekly Review
In this riotous first novel, a Florida high school senior is thrust by her cantankerous Colombian-American mother into the role of caretaker for her grandmother. Nana is already struggling to complete her graduation requirements when doctors find a mass in her grandmother Abue's gallbladder. With Nana's older sister, Mari, away at college, Nana's mother, Elena, expects her to accompany Abue to her doctor's appointments and serve as interpreter. Shenanigans ensue as Elena insists they hide the full extent of Abue's health crisis from her, convinced that "if Abue 'finds out the wrong information at the wrong time,' she'll just give up and die." Meanwhile, Nana argues in vain that they are robbing the family matriarch of the ability to decide on her course of treatment. Nana's mordant wit supplies laughs--"Sorry if I'm out of breath. It's all the running away from our problems"--even as family secrets spill forth to reveal the intergenerational trauma that caused Abue to cut off communication with nearly all of her relatives in Colombia. Amid the frequent histrionics--Abue often threatens to drop dead or kill someone to make a point--Mogollon also manages to convey the fierce love that binds the women across generations. When they finally arrive at varying degrees of acceptance, it feels inevitable rather than contrived. Mogollon wows with tenderness and uproarious profanity. Agent: Mariah Stovall, Trellis Literary. (May)
Booklist Review
Luciana, 18, is the youngest child in her raucous Colombian family. With her elder sister, Mari, away at university, Luciana is left to navigate the series of catastrophic events that occur during her senior year. Instead of attending to her college applications and meeting girls, she must instead reckon with the unexpected chaos. Her coping strategy is to share everything with Mari, whom she misses terribly. The entire narrative structure of the novel is the one-sided telephone conversations between the two sisters. For readers, this style takes some getting accustomed to, but perseverance ultimately pays off. The multifaceted maelstrom includes the struggle through natural disasters, such as Hurricane Irma, a health crisis involving Luciana's beloved grandmother, Abue, and some long-buried family history. Relayed in Luciana's lively, witty, and engaging voice, Mogollon's first novel is a story of intergenerational relations and a bildungsroman. It reads like a book-length text message that may go on a bit too long yet offers a smart, wildly inventive, and funny tale that's both heartbreaking and heartwarming. A promising debut.
Kirkus Book Review
The fortunes and misfortunes of a Colombian American family in South Florida. Just as she's about to start her senior year of high school, Luciana finds her life going off track: Hurricane Irma is about to make landfall and her mother insists that they evacuate. Although they plead with her grandmother to go with them, the strong-willed Emilia absolutely refuses. In Mogollon's bouncy debut novel, angry, exasperated, melodramatic Luciana is the voluble narrator, recounting the events of her life in phone calls to her older sister, Mari, a student at George Washington University. Luciana sorely misses Mari, envying her freedom, jealous because their mother obviously favors Mari, but needing her love. She shares with Mari predictable teenage angst about her dismal grades, the stress of applying to college, and her mother's obsession with her weight. She resents, too, her mother's homophobia. "When I told her that I liked girls," Luciana says, "…she didn't go to work for like two weeks." But after she and her mother return to Florida, Luciana's calls to Mari become focused less on her own problems and more on a family crisis: Her beloved grandmother--a foxy woman who has had two boob jobs and won't leave the house without full makeup--is seriously ill. Suddenly, Luciana becomes her mother's confidante; she gets close to her grandmother's sister, long estranged, who has come to help out and, she hopes, to be forgiven; and she is privy to dark secrets from her grandmother herself. In call after shocking call, Luciana imparts to Mari a tangled history of their Colombian American family, which began with the murder of a great-grandfather and involves incest, sexual assault, abandonment, blackmail, and betrayal. "This is all basically a Telemundo soap opera," Luciana tells Mari. Mogollon's fresh, ebullient narrator is at once irreverent and caring, anxious about the future but eager to embrace adulthood, fearful of loss and filled with love. A sprightly debut. Copyright (c) Kirkus Reviews, used with permission.
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