Morningside Heights / Joshua Henkin.

Enhanced descriptions from Syndetics:

A New York Times Book Review Editors' Choice Book * When Ohio-born Pru Steiner arrives in New York in 1976, she follows in a long tradition of young people determined to take the city by storm. But when she falls in love with and marries Spence Robin, her hotshot young Shakespeare professor, her life takes a turn she couldn't have anticipated.

Thirty years later, something is wrong with Spence. The Great Man can't concentrate; he falls asleep reading The New York Review of Books . With their daughter, Sarah, away at medical school, Pru must struggle on her own to care for him. One day, feeling especially isolated, Pru meets a man, and the possibility of new romance blooms. Meanwhile, Spence's estranged son from his first marriage has come back into their lives. Arlo, a wealthy entrepreneur who invests in biotech, may be his father's last, best hope.

Morningside Heights is a sweeping and compassionate novel about a marriage surviving hardship. It's about the love between women and men, and children and parents; about the things we give up in the face of adversity; and about how to survive when life turns out differently from what we thought we signed up for.

Excerpt provided by Syndetics

1 Growing up in Bexley, in the suburbs of Columbus, Pru had been drawn to the older boys, thinking they could take her far from home. Her father was from Brooklyn, her mother from Manhattan's Upper East Side, but they met in the middle of the country, in Ann Arbor, at a freshman mixer in 1944. Pru's father was studying engineering, and when he graduated he went to work for GM. But he wasn't cut out for the auto industry, for its assembly lines and economies of scale, and Pru's mother didn't like Detroit and its suburbs--Ten Mile Road, Eleven Mile Road, Twelve Mile Road--everything measured in a car. But Pru's father was happy in the Midwest, and when an oppor­tunity arose in Columbus, he settled on it. And on Torah Academy, where Pru, as a kindergartner, was dropped off every morning at eight o'clock. Pru liked the Hebrew songs, liked apples dipped in honey on Rosh Hashanah, liked staying home on Passover and eating matzo brei. But kindergarten became first grade became second became third, and she started to feel constrained. She had an older brother, Hank, but they weren't close; it was just her and the other students in her class. "Torah Academy's so Jewish," she told her parents. "Well, it is a Jewish school," her mother said. In eighth grade, on a trip to New York, the students were taken to the Streit's Matzo Factory, and to Ratner's for lunch. Years later, living in New York, Pru went out to La Difference, a kosher French restaurant, ostensibly high-end, but when she tasted her food, she told her friend Camille, "La Difference is this food sucks." Pru's mother wasn't Orthodox--she'd agreed to keep a kosher home for Pru's father--and one time, a friend of Pru's saw Pru's mother at a restaurant eating breaded shrimp. When Pru confronted her, her mother said that when Pru turned eighteen she could eat as much breaded shrimp as she wanted to. Was that why she was attracted to older men? If she couldn't be eighteen, she would go out with boys who were eighteen. In seventh grade, she dated a tenth grader, captain of the JV basketball team. In high school, she went out with a young man soon to graduate from Ohio State. She was two months shy of her eighteenth birthday when she arrived at Yale in 1972. There was breaded shrimp to be had every­where, but a curious thing happened those first few weeks at college. It wasn't that she missed her parents, though late at night, listen­ing to her sleeping roommates, she would think of her family back in Ohio and grow teary-eyed. She lay in her dorm in her ohioans for mcgovern T-shirt while Derek and the Dominos looked down at her from the wall. She shivered: wasn't it supposed to be warmer on the East Coast? Fall had come early that year, and, walking across Old Campus, she was already wearing a parka. Torah Academy was eons ago--she'd gone to public high school, where her graduating class had been four hundred strong--but she wasn't prepared to be so far from home. Torah Academy had seemed too small and too Jewish; now Yale seemed too big and not Jewish enough. She was no longer forced to keep kosher, but to her surprise, she continued to. Then spring came and along with it Passover, and she was answering questions from her secular Jewish friends, who weren't quite as secular as she'd thought. Why weren't peanuts kosher for Passover? Beer they understood, but corn and rice? And was it hypocritical to eat your cheeseburger on matzo? She was again dating an older man, a graduate student in history, the president of the Yale chapter of SDS. Returning from services one Friday night, she joined him at an antiwar rally. One, two, three, four, we don't want your fucking war! Ho, Ho, Ho Chi Minh, NLF is gonna win! But when someone passed her the megaphone, she handed it back to him because she wasn't allowed to use a megaphone on Shabbat. She did theater at Yale, and when she moved to New York she tried to make a go of it as an actor. Camille had done theater at Yale, too, and they dreamed of starring onstage together. They found an apart­ment in the West Village and worked as temps. When their bosses weren't looking, they would leave work early for auditions. "Ah, the casting couch," Camille said. "Would you do that?" Pru said. "Sleep with someone to get a part?" "Why not?" Pru wondered: Was she less ambitious than Camille? Was she sim­ply a prude? One day, Camille announced that she was quitting theater. She was tired of temping, tired of auditioning for terrible parts. Secretly she'd applied to law school. She was starting NYU in the fall. Maybe she was wrong, Pru thought: maybe she was the more ambitious one. Or maybe she just clung to things. She had a new boyfriend, forty-seven when she was only twenty-two. "My God," she told Camille, as if she'd only just realized it. "Matthew's more than double my age." "Well, good for you!" Camille said. For a time there was talk about marrying Matthew. At least Mat­thew was talking about it, and Pru, flattered, started to talk about it, too. Convention be damned, she thought, even as she cleaved to her own conventions, keeping two sets of dishes, one for milk and one for meat, making sure on Friday evenings before the sun set to extinguish the joint she'd been smoking. But eventually, she and Matthew broke up, and she moved uptown and started graduate school at Columbia, in the doctoral program in English literature. Her first day of class she looked up from her seminar table and saw Spence Robin, her Shakespeare professor, enter the room. He was only six years older than she was, but he was the professor, Colum­bia's rising star, so when she passed him on a snowy afternoon outside Chock full o'Nuts, she glanced away. "Are you pretending to be shy, Ms. Steiner?" That was how he addressed the class--Ms. Steiner, Mr. Jones, Mr. Thompson, Ms. Dunleavy--doing it with an edge of humor, as if it were a mild joke. "We do spend most of our day outside the classroom. It's not like we just materialize in Philosophy Hall." A gale blew past them, and Spence's jacket collar flapped up to his ears. His shock of auburn hair was covered in snow, and Pru was tempted to offer him her hat. But her hat was pink, and if she gave it to him, then she would get covered in snow, and she knew he wouldn't countenance that. They seated themselves in Chock full o'Nuts. "The coffee's terrible here," Spence said. Pru agreed, though she was inured to terrible coffee. She drank ter­rible coffee most days, often from Chock full o'Nuts. Spence removed a packet of peanuts. It was an old habit, he explained, a product of his fast metabolism. He'd been so thin as a boy he'd been sent to summer camp by the Fresh Air Fund, and when he failed to gain more than a few pounds, he got to stay for an extra two weeks. The snow was falling harder now; at this rate, they'd be skiing home. Pru said, "Are we going to talk about Coriolanus ?" "Do you want to talk about Coriolanus ?" "As long as you don't make me recite." It was what Spence did in class, saying that word, recite, with the same little ironical smile he wore when he called her Ms. Steiner . "How about you tell me where you're from?" Under the influence of the coffee, and urged on by the wind coming through the open door, Pru started to loosen. She was from the suburbs of Columbus, she said. "Sounds like a tautology to me." She surprised herself by saying, "You little snob!" "Little?" It was true: he must have been six feet tall. "And what's in the suburbs of Columbus?" "Oh, just a bunch of complicated Jewish families like mine." "Another tautology?" "So you know about complicated Jewish families?" "I come from one." This surprised her. With his rangy, slender frame, his pale face, and thatch of red hair, he put her in mind of the Irish countryside. And Spence--she thought of Spencer Tracy--not to mention his last name--Robin--well, you could have fooled her. "My Christian name is Shulem," he said. "That doesn't sound very Christian to me." In kindergarten, he said, he'd changed his name to Spence. At five, he became an Anglo-Saxon, at six a Francophile. "It's the old immigrant story. I was trying to escape the Lower East Side." "Well, you've done a good job." He was the youngest tenured member of the English department; the author, at thirty, of an award-winning book; a guest on PBS with Bill Moyers. "You're not still religious, are you?" He laughed. His paternal grandfather had been a rabbi in Lithu­ania, but his parents' god had been Communism. He hadn't even been Bar Mitzvahed. One Yom Kippur, he'd gone to the Museum of Natural History to stare up at the great blue whale. She told him about growing up Orthodox in the Midwest, how she'd moved to New York to become an actor. "So here I am," she said, as if everything she'd done--leaving Columbus, going to Yale, moving to New York to do theater--was in order to be seated where she was now, having coffee with Spence Robin. "I could never be an actor," he said. "I don't like to perform." "That's not what I heard." His lectures were said to be packed to the rafters; people were up in the nosebleed seats. "Acting's different," he said. "I'm a shy man." Yet here he was, talking to her--talking to this stranger. But then he stopped talking, and she became shy herself. The snow had tapered off, and with the weather no longer keeping them indoors, she thought she should make her getaway. She got up, and he followed her. "That's me," she said, in front of her building. "And that's me." Spence pointed up Claremont Avenue. "If I work on my arm, I could throw snowballs at your balcony." "I'd like that." And then, feeling foolish--she wanted him to throw snowballs at her balcony?--she rushed inside. Excerpted from Morningside Heights: A Novel by Joshua Henkin All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Reviews provided by Syndetics

Library Journal Review

Historically, literature has been filled with stories of the transformative influence that gifted educators have had on usually petulant students. Recently, however, literature seems to have yanked away the pedestal on which those admired paragons stood, leaving their flawed, beleaguered successors ankle-deep in mud. In this latest from Henkin (Swimming across the Hudson), the problem for brilliant Shakespeare scholar Spence Robin is early-onset Alzheimer's. Spence, a popular, high-achieving man of letters, rapidly comes to depend more and more on the help of his colleagues and especially of his wife, Pru. Though Spence's disease is the predicate of this contemporary narrative, the story's focus is on his family and caregivers and their struggles to balance the empathy they naturally feel toward Spence with their need to take care of themselves. Pru, especially, agonizes once she starts a new relationship with another man even as Spence continues to need her love and care. Nevertheless, though he recedes mentally and emotionally, Spence, through the agency of his disease, continues to influence and motivate those around him. VERDICT Henkin treats the complications of a complicated disease with insight, honesty, and humanity, in a style that is as readable as it is consummately literate.--Michael Russo, Louisiana State Univ., Baton Rouge

Publishers Weekly Review

Henkin (The World Without You) brilliantly conveys the complexities of a New York City family in this humane, compulsively readable tale. In 2006, Shakespeare scholar Spence Robin, 57, is diagnosed with early-onset Alzheimer's, and his wife, Pru Steiner, is forced to return his book advance. Their daughter, Sarah, a med student, arrives from Los Angeles on a delayed flight, and Pru wryly reassures Sarah not to worry ("It'll be good practice for when you're a doctor. You'll be keeping people waiting for the rest of your life"). The focus then turns to Arlo Zackheim, Spence's son from his first marriage, whose vagabond, self-centered mother left him with an emptiness he finds hard to fill. At 15, Arlo came to live with Spence for two years, and the marked contrast between his past and living with an erudite, structured father; a kind stepmother; and a bright younger sister is drawn with humor and insight. Henkin reaches further back to describe how Pru escaped her Orthodox Jewish family in Ohio and landed in grad school at Columbia University in 1976, and shows how Spence was a wunderkind in Columbia's English department, making the tragedy of his illness particularly poignant. Equally well handled is Pru's transformation from wife and lover to caretaker--wrenching changes that Henkin conveys without dissolving into sentimentality or cliché, but rather leaving readers with a kernel of hope. This is a stunning achievement. (June)

Booklist Review

In the mid-1970s, Pru Steiner moves to New York City to be an actress. She pursues a PhD instead and meets Spence Robin, the youngest tenured member of the English faculty at Columbia. They marry and soon welcome their daughter, Sarah. Spence's son from his first marriage, Arlo, has been moving around the country with his free-spirit mother. As a teenager, Arlo moves in with Pru and Spence. Diagnosed with dyslexia, he struggles to relate to a father whose whole life is devoted to books. In his late fifties, Spence starts to appear confused and fatigued. Early-onset Alzheimer's is discovered, and the family that was built around a man known for his mind has to watch him begin to lose it. Spanning decades, Morningside Heights follows Pru's evolving relationship to Judaism and her identity as a professor's wife. Sarah studies medicine and Arlo invests in biopharma, both wishing they could save their father. Henkin (The World without You, 2012) writes a moving, heart-wrenching account of a family's connections as they face a slow-moving goodbye.

Kirkus Book Review

A superstar literature professor is struck down in his prime in the cruelest possible way. "So you're sleeping with your professor," Camille said. "Weren't you the one lecturing about the casting couch?" OK, it's a #MeToo novel, you're thinking, set at Columbia in the 1970s, about a relationship between a 22-year-old Ph.D. student named Prudence Steiner and her only-six-years-older Shakespeare professor, Spence Robin, a dashing, auburn-haired campus idol who rides her around the Upper West Side on his moped. But Henkin's fourth novel turns out to be a different sort of story entirely--tragedy rather than outrage. Pru drops out, gets married, gets pregnant while Spence gets two Guggenheims, a Mellon, and a MacArthur. But talent and good luck are ultimately no match for early-onset Alzheimer's. Pru is 51 and Spence 57 and their only child, Sarah, has just left for medical school when discomfiting things begin to happen. Spence is cold all the time, misreads a party invitation, and, most critically, can't seem to make any headway on his book project, a new, annotated Shakespeare--though it would provide income they desperately need to support his disabled sister and his son, Arlo, from his brief first marriage. Henkin specializes in melancholy stories about complicated families, and this one is a real heartbreaker. His portrait of Pru is nuanced and sensitive, following her into one of the darkest places a spouse can go and hitting the notes just right. The other point-of-view character is Arlo, a dyslexic genius raised haphazardly by his bohemian mom and his underinvolved dad--his trajectory is interesting but distant from the emotional core of the story. Some of the most powerful moments in the book are sudden insights into Spence's experience--more of these would have been welcome. Caring for a spouse with Alzheimers is an ever more common heartbreak, illuminated by this tender portrait of a marriage. Copyright (c) Kirkus Reviews, used with permission.