The cellist : a novel / Daniel Silva.

Enhanced descriptions from Syndetics:

#1 New York Times Bestseller

"The pace of "The Cel­list" never slack­ens as its ac­tion vol­leys from Zurich to Tel Aviv to Paris and be­yond. Mr. Silva tells his story with zest, wit and su­perb tim­ing, and he en­gi­neers enough sur­prises to star­tle even the most at­ten­tive reader."--Wall Street Journal

From Daniel Silva, the internationally acclaimed #1 New York Times bestselling author, comes a timely and explosive new thriller featuring art restorer and legendary spy Gabriel Allon.

Viktor Orlov had a longstanding appointment with death. Once Russia's richest man, he now resides in splendid exile in London, where he has waged a tireless crusade against the authoritarian kleptocrats who have seized control of the Kremlin. His mansion in Chelsea's exclusive Cheyne Walk is one of the most heavily protected private dwellings in London. Yet somehow, on a rainy summer evening, in the midst of a global pandemic, Russia's vengeful president finally manages to cross Orlov's name off his kill list.

Before him was the receiver from his landline telephone, a half-drunk glass of red wine, and a stack of documents....

The documents are contaminated with a deadly nerve agent. The Metropolitan Police determine that they were delivered to Orlov's home by one of his employees, a prominent investigative reporter from the anti-Kremlin Moskovskaya Gazeta. And when the reporter slips from London hours after the killing, MI6 concludes she is a Moscow Center assassin who has cunningly penetrated Orlov's formidable defenses.

But Gabriel Allon, who owes his very life to Viktor Orlov, believes his friends in British intelligence are dangerously mistaken. His desperate search for the truth will take him from London to Amsterdam and eventually to Geneva, where a private intelligence service controlled by a childhood friend of the Russian president is using KGB-style "active measures" to undermine the West from within. Known as the Haydn Group, the unit is plotting an unspeakable act of violence that will plunge an already divided America into chaos and leave Russia unchallenged. Only Gabriel Allon, with the help of a brilliant young woman employed by the world's dirtiest bank, can stop it.

Elegant and sophisticated, provocative and daring, The Cellist explores one of the preeminent threats facing the West today--the corrupting influence of dirty money wielded by a revanchist and reckless Russia. It is at once a novel of hope and a stark warning about the fragile state of democracy. And it proves once again why Daniel Silva is regarded as his generation's finest writer of suspense and international intrigue.

Reviews provided by Syndetics

Library Journal Review

Viktor Orlov is a wealthy Russian in exile in London, where he fights against corruption in the Russian government. Despite extraordinary security precautions, Orlov is found dead in his mansion, the documents in front of him contaminated with a deadly nerve agent. Police believe that a woman who worked for Orlov was, in fact, an assassin working for the Kremlin. Gabriel Allon believes otherwise and sets out to find the truth. This fast-paced thriller moves among Zurich, Tel Aviv, Paris, Amsterdam, and London, with a multitude of characters involved in the espionage. Adding significance to this narrative is the timetable for this adventure: it takes place during the worldwide COVID-19 shutdown. Narrator Edoardo Ballerini skillfully performs a variety of accents, speaking at a fast pace that requires full attention from listeners. VERDICT Although this is the 21st of Silva's spy novels featuring the assassin/art restorer Gabriel Allon (after The Order), the story can stand alone. Established fans will enjoy recognizing characters from previous mysteries, but the plot and characters are amply developed to satisfy those just starting out with the series.--Ann Weber, Bellarmine Coll. Prep., San Jose, CA

Kirkus Book Review

Gabriel Allon goes after the deadliest weapon at the Russian president's disposal--his money. When CIA agent--turned--art dealer Sarah Bancroft finds the dead body of Viktor Orlov, a wealthy newspaper publisher and Russian dissident, the grim discovery leads Gabriel Allon, the head of Israel's intelligence service, to a treasure trove of documents detailing massive financial crimes. Once he tracks down the woman who leaked these documents, Gabriel may finally have the tools he needs to take down the autocrat in the Kremlin. "A nuclear bomb can only be dropped once. But money can be wielded every day with no fallout and no threat of mutually assured destruction." This bit of wisdom comes from a Russian operative Gabriel captured in The Other Woman (2018), and Silva makes a persuasive case that the best way to neutralize the threat of troll farms and disinformation campaigns is to starve these operations of cash. But this is a thriller, not an essay in Foreign Policy. It turns out that money laundering isn't inherently exciting, and Silva does little to make it so. Identifying the shadowy figure who manages the Russian president's fortune is easy, as is infiltrating his world. All the characters in this universe are types, but most of them are crafted with verisimilitude sufficient to keep the reader engaged. The titular cellist, Isabel Brenner, is a beautiful blond blank. It's not at all clear why she makes the transition from functionary at a dirty bank to amateur spy willing to risk her life to ruin oligarchs. In previous novels, Silva wove in chapters written from the points of view of the bad guys. This technique creates dramatic irony, and it has given us some truly terrific villains--horrifying sadists and gleeful monsters of corruption who make excellent foils for the nearly superhuman Gabriel. Past installments have also given Gabriel's team more to do, and it's impossible not to miss them and their spycraft. As attuned as always to current geopolitical concerns, but substantially less compelling than Silva's previous novels. Copyright (c) Kirkus Reviews, used with permission.