Bloody genius / John Sandford.

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Virgil Flowers will have to watch his back--and his mouth--as he investigates a college culture war turned deadly in another one of Sandford's "madly entertaining Virgil Flowers mysteries" (New York Times Book Review).

At the local state university, two feuding departments have faced off on the battleground of science and medicine. Each carries their views to extremes that may seem absurd, but highly educated people of sound mind and good intentions can reasonably disagree, right?

Then a renowned and confrontational scholar winds up dead, and Virgil Flowers is brought in to investigate . . . and as he probes the recent ideological unrest, he soon comes to realize he's dealing with people who, on this one particular issue, are functionally crazy. Among this group of wildly impassioned, diametrically opposed zealots lurks a killer, and it will be up to Virgil to sort the murderer from the mere maniacs.

Excerpt provided by Syndetics

Chapter   One   Barthelemy Quill led his companion through the murk and up the library stairs toward his personal study carrel. Though Quill was normally restrained to the point of rigor mortis, she could hear him breathing, quick breaths, excited. They'd been there before, and the woman found the experience both weird and interesting. She was a step behind him, and lower, and she reached out and stroked his thigh.   But at the top of the stairs, Quill put out a hand, pressing it back against her chest, and whispered, "Shh. There's a light."   The library was never entirely dark, not even in the middle of the night, but there'd never before been a moving light. She could see one now, no brighter than an iPhone, dancing like a ghost through the bookshelves.   Not a security guard. It was an iPhone, she thought. Not the flashlight, but the much weaker screen light.   Quill moved away from her and closer to the light-he was wearing gray dress slacks, a gray knit dress shirt, and a black sport coat, so he was basically invisible in the dark. The woman felt a chill crawl up her arms and she stepped sideways into the book stacks. She'd learned well the lesson of trusting her instincts about trouble. She turned a corner on one of the stacks and crouched, listening in the silence.   Then Quill's voice: "Hey! Hey! Where'd you get . . . I'm calling the police! You stay right where you're at."   Then a wet Whack! And, after a second, another. Whack! The sound was heavy and violent, as if delivered with a crowbar. The whacks were followed by a couple of bumps. And not another word from Quill.   The woman crunched herself up, made herself smaller, opened her mouth wide to silence her breathing, a trick she'd learned in another life while taking singing lessons. Like Quill, she'd dressed in dark clothing, as their entry into the library was unauthorized and possibly illegal. Before this moment, that had added another thrill to their clandestine meetings.   Now . . .   Something terrible had happened, she thought. After the whacks and subsequent bumps, there was a deep silence, as though the iPhone user were listening.   That was followed by shuffling noises, more bumps, a door closed and a locked turned, and then the weak iPhone light reappeared. She never saw the person with the phone but kept her arms over her face and her head down: faces shine in the dark, and eyes are attracted to eyes. She heard light footsteps fading away, risked a look up and saw the iPhone light disappearing around the corner toward the stairs.     The killer was just as stunned. Quill had come out of nowhere, as the killer stood by the open carrel door, laptop in hand. QuillÕs face had been twisted with anger. HeÕd shouted, ÒHey! Hey!Ó and something else, then, ÒIÕm calling the police!Ó   Quill'd turned away, and, without thinking, panicking, the killer had lifted the laptop computer and brought it down on Quill's head.   After the first blow, Quill had said, "Ah!" and gone down, and his forehead had hit the edge of the carrel desk and his head had turned. His gray eyes jerked to the assailant, but had already begun to dim, as he sank to his hands and knees. The killer swung the notebook again and this time Quill went flat on the floor.   The DreamBook Power P87 made an excellent weapon, not because of its Intel Xeon i7 processor, or its 64 gigs of RAM, or its high-definition display, but because it weighed more than twelve pounds and had sharp corners.   By comparison, an Irwin Tools fiberglass-handled general purpose claw hammer, an otherwise excellent weapon, weighs only sixteen ounces, a pound.     When the killer sank the computer into the back of QuillÕs head, the professor smacked the desk with his forehead, his head turned, and his eyes twisted toward his assailant, and he dropped to his hands and knees like a poleaxed ox, if oxen have hands and knees.   A blow followed, a downward chop like that of a guillotine blade. The later autopsy suggested the first blow had been sufficient enough to kill, if the assailant had been willing to wait a minute. He hadn't.   The second impact certainly finished the job, and Quill lay sprawled across the floor and partially under the carrel desk, leaking both blood and cerebrospinal fluid. Quill never felt much pain, only an awareness of the blows and his beginning to fall. The lights went out, and he dropped into a darkness deeper than any sleep.   The library carrel had been his own personal cubbyhole, renewed semester by semester over the years. Strictly speaking, that shouldn't have been the case, but Quill was rich and handsome and famous for his research into innovative therapies for spinal nerve injuries. So he got by with it. And it had become a go-to place for his late-night sexual assignations, away from all eyes.     The killer had a thousand thoughts raging through his head. Near the top, however, was: Get out! And: DNA! And: Fingerprints!   The library was nearly silent, broken only by the vague clicks and hums of any building at night with heaters and fans. The killer stood listening, then looked down at the body, licked his lips once, thinking. The laptop came with a soft plastic cover. He used it to wrap one of his hands and then dragged Quill's leg from the doorway into the carrel, where, with the door closed, the body couldn't be easily seen through the narrow translucent window.   His heart was pumping hard, he was breathing like a steam engine. He tried to calm himself, took a moment, stepped on something. The fob to Quill's BMW lay on the floor where he'd dropped it, along with his cell phone. The killer picked up the cell, the keys, and the murder weapon, took another moment to listen. As expected, the library was empty and dead silent: it closed at six o'clock, and he'd murdered Quill at the stroke of midnight.   The killer left the carrel at three minutes after midnight, pulled his black ball cap farther down over his eyes and tilted his head down to defeat any cameras. He locked the carrel door and started toward the stairs. The hair on the back of his neck suddenly bristled, like from the chill you'd get walking past a cemetery. He stopped. Was he alone? He listened, heard nothing. He walked slowly and quietly down the stairs to the first floor, creeping through it on his soft-soled running shoes, and out the door.   The river was right there. He went to the walkway running alongside it, stopped under a light to separate the professor's keys from their fob and threw the fob in the river. The keys went in his pocket; he might find a use for them.   He continued across a bridge to the other side, saw no one. He stopped to put the computer and its soft cover in his backpack. The cell phone went into a "Mission Darkness" Faraday bag with a see-through window, along with his own. Quill had begun making a call to 911 when he was killed, so the killer had access to the phone's operation and could keep it working with the occasional poke.     Back inside the library, QuillÕs companion waited, frozen in place, for what seemed like hours-maybe ten minutes. After the iPhone light disappeared, she had not heard another thing.   Taking a chance, she dug silently in her purse and found the switchblade she'd purchased in Iowa, where they were legal, as personal protection. She wrapped the knife in the tail of her jacket and pushed the button that popped open the razor-sharp four-and-seven-eighths-inch serrated blade, the mechanical unlatching muffled by the cloth.   She listened for another moment, then crawled down the aisle between the book stacks, got to her knees, then to her feet, and slipped over to the carrel. The door had a small, vertical-slit window, but with translucent glass.   She muttered, "Shit," and waited, and waited, listening, tried the door, but it was locked. She turned on her iPhone's flashlight and directed it down through the window but couldn't see anything at all through the cloudy pane. Nothing was moving inside.   Quill, she thought, might be dead. He was probably badly hurt, at the least. She should call the police; but she wasn't the type.   The thought held her for a moment. She didn't owe Quill. He'd brought her into this. If he was still alive, and survived, she could tell him that she ran away and never knew that he'd been hurt.   The decision made, she turned off the light and slipped through the library, her lips moving in a prayer that wasn't a prayer, because she didn't know any, but simply a Please! Please! Please! addressed to any god who might be tuned in. She made it down the stairs and out into the river air, the Mississippi curling away beneath the bridge with anything but innocence: it had seen more murders than any single man or woman ever would.   A half block from the library, the woman folded the knife but kept it in her hand, her thumb on the spring release. On the far side of the bridge, she was swallowed up by the night.     Because he was murdered on a Friday night and had no firm appointments over the weekend, and missed only one day at the lab, QuillÕs body wasnÕt found until Tuesday, when an untoward odor began leaking under the carrelÕs locked door.   Definitely not coffee.   Inquiries were made, a second key was found, the door was opened, the cops were called.   Quill had lived alone since his third wife moved out. Neither of his first two wives, nor his estranged third, made any secret of the fact that they thoroughly disliked him.   A two-week investigation produced baffled cops. The cops didn't think they were baffled-not yet, anyway-but the Star Tribune and local television stations agreed that they were. And who do you believe, the cops or the mainstream media?   When no suspect had been produced after two weeks, Quill's well-connected sister, co-heir to their father's wildly successful company, Quill Micro-Sprockets, called her old friend and a major political donee, the governor of Minnesota.   The governor called the commissioner of the Department of Public Safety; the commissioner called the director of the Bureau of Criminal Apprehension; the BCA director called one of his supervisory agents; the supervisory agent, after a comprehensive course of vulgarity, obscenity, and profanity, made a call of his own.   At the end of the daisy chain was a Flowers.   Chapter   Two   Virgil Flowers walked out of a cafZ in Blue Earth, Minnesota, slightly bilious after a dinner of brown slices of beef and brown gravy over brown potatoes and dead green beans, coconut cream pie on the side, with a pointless Diet Coke. He had to quit all that; he knew it, but hadn't yet done it. He burped and the burp tasted . . . brown.   He'd taken three steps out the door before he noticed a motley group of twenty people standing in the parking lot, staring up at the sky to the south. When he turned to look, he saw the UFO.   There was no question about it, really.   The alien craft was obviously far away, but still appeared to be more than half the size of a full moon. It was motionless, hovering over the countryside like a polished dime, brilliantly lit, alternating gold and white light, almost as bright as the setting sun, and hard to look at without squinting.   A man dressed like a farmer, in mud-spattered jeans and muddier gum boots, said wisely, "It only appears to be motionless. It's probably a jumbo jet headed into the Twin Cities, flying low and right toward us. The sun's hitting it at just the right angle, and we're getting a reflection."   A pale woman with orange-blond dreadlocks, and the voice of a high school teacher, said, "No, it's not a jet. It's not moving. Line it up with that phone pole and you see it's not moving."   Virgil and the farmer edged sideways to line the UFO up with the telephone pole, and the woman was right; the UFO wasn't moving. The farmer exhaled heavily, and said, "Okay. I got nothin'."   More people were coming out of the cafZ, attracted by the crowd in the parking lot.   A man in a plaid sport jacket said, "This could be the start of something big."   "Like an invasion," the dreadlocks lady said. She mimed a shudder. "Like in Cloverfield. You don't know exactly what it is, but it's coming and it's bad."   "Wouldn't they invade Washington or someplace like that?" a thin man asked. "Why would they invade Iowa?"   A jocko-looking guy said, "Not because they're recruiting for a pro football team," and he and a jocko friend, who was wearing a red University of Minnesota jacket, exchanged high fives.   Somebody said, "I left my camera at home. Wouldn't you know it? Probably see Bigfoot on the way back."   A short, fat mail carrier: "I saw a show where the aliens completely wasted LA, but it turned out everything was being controlled from one central bunker, and when the Army hit that, all the aliens' tanks and shit quit working."   "Independence Day," somebody said. "Where they nuked the mother ship, and then the fighters could get through the force fields?"   "No, I saw that one, too, but this was a different movie," the letter carrier said. "Ground troops in LA. Got the aliens with a bazooka or something."   A young man with black-rimmed glasses and slicked-back dark hair said, with the voice of authority, "Battle: Los Angeles. Thirty-five percent on the Tomatometer. The ground squad lit them up with a laser indicator so American fighters could target the alien HQ. Or maybe they called in the artillery, I don't precisely recall."   A young woman in a jewel-blue nylon letter jacket that matched her eyes said, "I hope they don't get us pregnant with those monster things like in Aliens. You know, that ate their way out of your womb when they hatched."   "I don't think that was Aliens," the authoritative young man said. "But just in case, maybe you oughta get a lotta good lovin' before they arrive."   Jewel Blue, the voice of scorn: "Dream on, Poindexter."     Virgil scratched his chin, momentarily at a loss. He was a tall, thin, blue-eyed man, with blond hair curling well down over his ears. He was wearing a canvas sport coat over a ÒMoon TaxiÓ T-shirt and jeans, with cowboy boots and a blue ball cap. As an official law enforcement officer of the state of Minnesota-LÕftoile du Nord-he thought he should do something about an alien invasion but didnÕt know exactly what. Call it in maybe? Excerpted from Bloody Genius by John Sandford All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Reviews provided by Syndetics

Library Journal Review

After Professor Quill's body is found in his library carrel at the University of Minnesota, the local police are stumped. Two weeks later, Dr. Quill's well-connected, wealthy sister calls the governor. Virgil Flowers from the Bureau of Criminal Apprehension (BCA) is assigned to assist the Minneapolis police. He teams with Sgt. Maggie Trane to put the pieces together in a case that seems to have no connecting links. Is it a former student, a former patient, someone with a grudge? There are too many suspects and numerous angles in this fast-paced, intensifying adventure. As always, the investigation is intricately plotted, while details of Flowers's family life are included for fans of the character. VERDICT Sandford's readers will welcome the 12th book in the best-selling "Virgil Flowers" series, following Holy Ghost. The irreverent humor and language is perfect for the unconventional law officer in the darkly entertaining series. [See Prepub Alert, 4/8/19.]--Lesa Holstine, Evansville Vanderburgh P.L., IN

Publishers Weekly Review

Bestseller Sandford's compulsively readable 12th novel featuring astute Minnesota Bureau of Criminal Apprehension agent Virgil Flowers (after 2018's Holy Ghost) will please fair play fans. Thanks to some string-pulling, Flowers gets assigned to assist the Minneapolis PD with the investigation of a homicide at the University of Minnesota that has stalled two weeks after the crime. Someone bashed in the head of Barthelemy Quill with a laptop in the university library in the middle of the night; Quill, a professor who worked in a lab specializing in spinal injuries, was in the midst of a romantic rendezvous at the time. The dead man's sister, a major political campaign donor, prevailed on the governor to add resources to the case, a decision not welcomed by the veteran police detective in charge. Flowers finds no shortage of suspects, including a map thief and an academic rival whose theories were denounced as bunk by Quill during one of her lectures. Readers who like a bit of unrepentant wiseass in their sleuths will find Flowers fits the bill. Sandford makes blending humor and mystery look easy. Agent: Esther Newberg, ICM. (Oct.)

Booklist Review

Virgil Flowers is an agent for Minnesota's Bureau of Criminal Apprehension. Suspects and witnesses underestimate him because of his longish hair, propensity for rock-band T-shirts, and laid-back demeanor. A prominent medical doctor and researcher at the University of Minnesota is murdered in a study carrel in the university library. Barthelemy Quill was a multiple divorcée and the son of a prominent, wealthy family. His department was involved in an academic turf war, and, as Virgil comes to understand, there are few as ruthless as academic bureaucrats. But murder? The wealthy Quill family exerts its power over the governor when local law enforcement doesn't make progress on the case, prompting Virgil's involvement. Examining the crime scene, he finds evidence that there was probably a sexual encounter in the study carrel. Why there? That's the first thread Virgil tugs. Then there's the project on which Quill was working, in competition with a rival medical researcher. Or does the motive lie in something far more mundane? Flowers remains one of the great modern fictional detectives, and Sandford, as always, supplies amazing secondary characters, sharp dialogue, and plots that confound and amaze. A near-perfect crime novel.--Wes Lukowsky Copyright 2010 Booklist

Kirkus Book Review

Virgil Flowers' 12th appearance takes him into the homicidal heart of the University of Minnesota.When a professor's as brainy and wealthy as Barthelemy Quill, a nerve specialist who drives a BMW, you have to make some allowances for him. That's presumably why his unnamed female companion agrees to let him sneak her into his personal carrel at midnight, hours after the university library has closed. But neither of them is prepared to find the dark carrel already occupied by another anonymous figure who, far from making allowances, reacts to Quill's sputtering outrage by bashing him to death with his state-of-the-art laptop and running off with the murder weapon. Pressed by Quill's equally rich sister to get faster results than Sgt. Margaret Trane of the Minneapolis PD has come up with, the governor gets the Bureau of Criminal Apprehension to send Virgil (Holy Ghost, 2018, etc.) to help out. Trane doesn't want his help, but she's won over by his determination to avoid taking the credit for any new leads and his success in finding a lead almost immediately: a hair on the yoga mat in Quill's carrel that didn't come from anybody's head. Spurred on by the discovery, Trane comes up with a lead of her own: a hidden recording in which three men, one of them probably Quill, discuss a highly questionable medical procedure. Now, instead of too few leads, there are too many. Was Quill murdered by Ruth McDonald, whose quadriplegic husband killed himself after just such a procedure? By Quill's own estranged third wife, in search of a bigger payoff than her prenup allowed? By professor Katherine Green, whose Cultural Science approach to medications he'd claimed had given fuel to rabid anti-vaxxers? By Boyd Nash, a sociopathic patent troll who's made a specialty of taking credit for other people's discoveries and accepting payoffs to go away quietly? Or by another suspect for still another reason Virgil and Trane can't yet imagine?Steadily absorbing revelations of all manner of malfeasance, beautifully handled, even if the final twist is less than the best. Copyright Kirkus Reviews, used with permission.