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How I shed my skin : unlearning the racist lessons of a Southern childhood / Jim Grimsley.

By: Material type: TextTextPublication details: Chapel Hill, North Carolina : Algonquin Books of Chapel Hill, 2015.Edition: First editionDescription: xii, 275 pages ; 22 cmISBN:
  • 9781616203764 (hbk.)
  • 1616203765 (hbk.)
Subject(s): Genre/Form: DDC classification:
  • 379.2/630975621 B 23
Summary: "In August of 1966, Jim Grimsley entered the sixth grade in the same public school he had attended for the five previous years in his small eastern North Carolina hometown. But he knew that the first day of this school year was going to be different: for the first time he'd be in a classroom with black children ... Now, over forty years later, Grimsley ... revisits that school and those times, remembering his personal reaction to his first real exposure to black children and to their culture, and his growing awareness of his own mostly unrecognized racist attitudes"-- Provided by publisher.
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Holdings
Item type Current library Collection Shelving location Call number Status Date due Barcode Item holds
Adult Book Phillipsburg Free Public Library Adult Non-Fiction Adult Non-Fiction 379.2630975621 GRI Available 36748002248278
Total holds: 0

Enhanced descriptions from Syndetics:

"White people declared that the South would rise again. Black people raised one fist and chanted for black power. Somehow we negotiated a space between those poles and learned to sit in classrooms together . . . Lawyers, judges, adults declared that the days of separate schools were over, but we were the ones who took the next step. History gave us a piece of itself. We made of it what we could." --Jim Grimsley



More than sixty years ago, the Supreme Court ruled in Brown v. Board of Education that America''s schools could no longer be segregated by race.



Critically acclaimed novelist Jim Grimsley was eleven years old in 1966 when federally mandated integration of schools went into effect in the state and the school in his small eastern North Carolina town was first integrated. Until then, blacks and whites didn''t sit next to one another in a public space or eat in the same restaurants, and they certainly didn''t go to school together.



Going to one of the private schools that almost immediately sprang up was not an option for Jim: his family was too poor to pay tuition, and while they shared the community''s dismay over the mixing of the races, they had no choice but to be on the front lines of his school''s desegregation.



What he did not realize until he began to meet these new students was just how deeply ingrained his own prejudices were and how those prejudices had developed in him despite the fact that prior to starting sixth grade, he had actually never known any black people.



Now, more than forty years later, Grimsley looks back at that school and those times--remembering his own first real encounters with black children and their culture. The result is a narrative both true and deeply moving. Jim takes readers into those classrooms and onto the playing fields as, ever so tentatively, alliances were forged and friendships established. And looking back from today''s perspective, he examines how far we have really come.



"Does more to explain the South than anything I''ve read in a long, long time . . . Simply put, a brilliant book. While I was reading, I kept thinking two things. One, this is totally shocking. Two, it''s not at all shocking but a familiar part of my life and memory. Grimsley''s narrative is straightforward and plain spoken while at the same time achingly moving and intimately honest." --Josephine Humphreys, author of No Where Else on Earth



"I not only believed this account but was grateful to see it on the record . . . The boy in this narrative is becoming a man in a time of enormous change, and his point of view is like a razor cutting through a callus. Painful and healing. Forthright and enormously engaging. This is a book to collect and share and treasure." --Dorothy Allison, author of Bastard Out of Carolina



"Jim Grimsley''s unflinching self-examination of his own boyhood racial prejudices during the era of school desegregation is one of the most compelling memoirs of recent years. Vivid, precise, and utterly honest, ?How I Shed My Skin is a time machine of sorts, a reminder that our past is every bit as complex as our present, and that broad cultural changes are often intimate, personal, and idiosyncratic." --Dinty W. Moore, author of Between Panic and Desire



"In all his beautiful works, Jim Grimsley has told hard, hidden truths in luminous, subtle prose . . . Here, he renders history not on the grand, sociological scale where it is usually written, but on very personal terms, where it is lived. This is an exquisite, careful story of a white boy of simple background and great innocence." --Moira Crone, author of The Not Yet



"Grimsley probes the past to discover what and how he learned about race, equality, and democracy . . . in this revelatory memoir." -- Kirkus Reviews



"Acclaimed writer Grimsley offers a beautifully written coming-of-age recollection from the era of racial desegregation." -- Booklist, starred review



Includes bibliographical references.

"In August of 1966, Jim Grimsley entered the sixth grade in the same public school he had attended for the five previous years in his small eastern North Carolina hometown. But he knew that the first day of this school year was going to be different: for the first time he'd be in a classroom with black children ... Now, over forty years later, Grimsley ... revisits that school and those times, remembering his personal reaction to his first real exposure to black children and to their culture, and his growing awareness of his own mostly unrecognized racist attitudes"-- Provided by publisher.

Reviews provided by Syndetics

Publishers Weekly Review

Accomplished narrator Leyva brings his considerable versatility to the new memoir from acclaimed novelist Grimsley, which recounts his experiences growing up as a white person in rural North Carolina during the school desegregation struggles on the 1960s and '70s. Grimsley, who has made a name for himself in the realms of both Southern and gay fiction, homes in on how his effeminate mannerisms and nagging sense of being an outsider led to a special affinity with black female students in the earliest days of integration, when he was still in elementary school. Leyva makes his most memorable contributions as a vocal performer in these compelling exchanges between Grimsley and his friends. The delicate dance between being an outsider and being coconspirator in breaking down the Southern social order shines through, particularly in Leyva's portrayal of Violet, the African-American girl who responds with confidence when Grimsley uses a vulgar racial term upon their initial introduction. Leyva also does an effective job of conveying the nuances and complexities of the present, when Grimsley experiences his hometown's current racial polarization during a class reunion. An Algonquin hardcover. (Apr.) © Copyright PWxyz, LLC. All rights reserved.

Booklist Review

*Starred Review* In 1966, when North Carolina began its first efforts at desegregation, Grimsley was 11 and steeped in the culture of white superiority. All the hardworking, ­churchgoing white people he knew thought race mixing was a sin. He'd grown up around black folks, but they were mostly an undifferentiated mass of people with no individuality. But as an adolescent listening to white kids looking forward to George Wallace setting things straight between the races and black kids looking forward to the revolution, he found himself wondering if the revolution would free him, as well. He'd already seen that poverty had distinguished the whites who could dodge desegregation and those who couldn't, his hemophilia had long set him apart from the rough society of other boys, and his sexual inclination was threatening to be even more distinguishing. The hubbub of race and desegregation gave cover to his own struggle with sexuality, freedom to discover his own identity, and, to his personal credit, space to truly examine the assumptions built into his youth. Looking back some 40 years later, acclaimed writer Grimsley offers a beautifully written coming-of-age recollection from the era of racial desegregation.--Bush, Vanessa Copyright 2015 Booklist

Kirkus Book Review

After a court decision, children struggled to enact integration.In 1966, Grimsley (Creative Writing/Emory Univ.; Jesus Is Sending You This Message: Stories, 2008, etc.) was an elementary school student in rural North Carolina when three black girls joined his formerly white classroom. He did not know then what caused the change from the Freedom of Choice system that had maintained racially separated schools, and he did not know how to behave or what to think, except to mimic adults' racism. "I was raised," he writes, "to keep black people in their place and to see to it that they stayed there." His new classmates, however, convinced of their civil rights, had no intention of being subjugated. In this sensitive memoir, Grimsley probes the past to discover what and how he learned about race, equality and democracy "from the good white people" in his family and community. Interacting with black children for the first time, he felt he was at a crossroads: "I would either learn to be a better bigot, or I would learn to stop being a bigot at all." Evoking in vivid detail his school and social environments as he moved through the grades, he recalls that by high school, many white families were sending their children to a private institution, and the author was outnumbered by black classmates. Being part of a minority, though, was not new for him; throughout childhood, he felt different from others because he was a hemophiliac who could not participate in sports or roughhouse with other boys; he also began to realize that he was gay. The author, returning for his 40th high school reunion, saw little change in the South, where people "still teach racism to their children without a second thought." Although proud that he and his classmates made history, the culture of hatred he recounts in this revelatory memoir still, he notes sadly, persists. Copyright Kirkus Reviews, used with permission.
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