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The immortal life of Henrietta Lacks / Rebecca Skloot.

By: Material type: TextTextPublication details: New York : Crown Publishers, c2010.Description: x, 369 p., [8] p. of plates : ill. (some col.) ; 25 cmISBN:
  • 9781400052172
  • 1400052173 :
Subject(s): DDC classification:
  • 616/.02774092 B 22
Summary: Her name was Henrietta Lacks, but scientists know her as HeLa. She was a poor Southern tobacco farmer, yet her cells--taken without her knowledge--became one of the most important tools in medicine. The first "immortal" human cells grown in culture, they are still alive today, though she has been dead for more than sixty years. HeLa cells were vital for developing the polio vaccine; uncovered secrets of cancer and viruses; helped lead to in vitro fertilization, cloning, and gene mapping; and have been bought and sold by the billions. Yet Henrietta Lacks is buried in an unmarked grave. Her family did not learn of her "immortality" until more than twenty years after her death, when scientists began using her husband and children in research without informed consent. The story of the Lacks family is inextricably connected to the dark history of experimentation on African Americans, the birth of bioethics, and the legal battles over whether we control the stuff we are made of--From publisher description.
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Item type Current library Collection Shelving location Call number Status Notes Date due Barcode Item holds
Adult Book Phillipsburg Free Public Library Adult Non-Fiction Adult Non-Fiction 616.02774092 SKL Available pap.ed. 36748001997834
Adult Book Phillipsburg Free Public Library Adult Non-Fiction Adult Non-Fiction 616.02774092 SKL Available pap.ed. 36748001997891
Total holds: 0

Enhanced descriptions from Syndetics:

#1 NEW YORK TIMES BESTSELLER * "The story of modern medicine and bioethics--and, indeed, race relations--is refracted beautifully, and movingly."-- Entertainment Weekly

NOW A MAJOR MOTION PICTURE FROM HBO® STARRING OPRAH WINFREY AND ROSE BYRNE * ONE OF THE "MOST INFLUENTIAL" (CNN), "DEFINING" ( LITHUB ), AND "BEST" ( THE PHILADELPHIA INQUIRER ) BOOKS OF THE DECADE * ONE OF ESSENCE 'S 50 MOST IMPACTFUL BLACK BOOKS OF THE PAST 50 YEARS * WINNER OF THE CHICAGO TRIBUNE HEARTLAND PRIZE FOR NONFICTION

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review * Entertainment Weekly * O: The Oprah Magazine * NPR * Financial Times * New York * Independent (U.K.) * Times (U.K.) * Publishers Weekly * Library Journal * Kirkus Reviews * Booklist * Globe and Mail

Her name was Henrietta Lacks, but scientists know her as HeLa. She was a poor Southern tobacco farmer who worked the same land as her slave ancestors, yet her cells--taken without her knowledge--became one of the most important tools in medicine: The first "immortal" human cells grown in culture, which are still alive today, though she has been dead for more than sixty years. HeLa cells were vital for developing the polio vaccine; uncovered secrets of cancer, viruses, and the atom bomb's effects; helped lead to important advances like in vitro fertilization, cloning, and gene mapping; and have been bought and sold by the billions.

Yet Henrietta Lacks remains virtually unknown, buried in an unmarked grave.

Henrietta's family did not learn of her "immortality" until more than twenty years after her death, when scientists investigating HeLa began using her husband and children in research without informed consent. And though the cells had launched a multimillion-dollar industry that sells human biological materials, her family never saw any of the profits. As Rebecca Skloot so brilliantly shows, the story of the Lacks family--past and present--is inextricably connected to the dark history of experimentation on African Americans, the birth of bioethics, and the legal battles over whether we control the stuff we are made of.

Over the decade it took to uncover this story, Rebecca became enmeshed in the lives of the Lacks family--especially Henrietta's daughter Deborah. Deborah was consumed with questions: Had scientists cloned her mother? Had they killed her to harvest her cells? And if her mother was so important to medicine, why couldn't her children afford health insurance?

Intimate in feeling, astonishing in scope, and impossible to put down, The Immortal Life of Henrietta Lacks captures the beauty and drama of scientific discovery, as well as its human consequences.

Includes bibliographical references (p. [338]-358) and index.

Her name was Henrietta Lacks, but scientists know her as HeLa. She was a poor Southern tobacco farmer, yet her cells--taken without her knowledge--became one of the most important tools in medicine. The first "immortal" human cells grown in culture, they are still alive today, though she has been dead for more than sixty years. HeLa cells were vital for developing the polio vaccine; uncovered secrets of cancer and viruses; helped lead to in vitro fertilization, cloning, and gene mapping; and have been bought and sold by the billions. Yet Henrietta Lacks is buried in an unmarked grave. Her family did not learn of her "immortality" until more than twenty years after her death, when scientists began using her husband and children in research without informed consent. The story of the Lacks family is inextricably connected to the dark history of experimentation on African Americans, the birth of bioethics, and the legal battles over whether we control the stuff we are made of--From publisher description.

Table of contents provided by Syndetics

  • A Few Words About This Book (p. ix)
  • Prologue: The Woman in the Photograph (p. 1)
  • Deborah's Voice (p. 9)
  • Part 1 Life
  • 1 The Exam...1951 (p. 13)
  • 2 Clover...1920- 1942 (p. 18)
  • 3 Diagnosis and Treatment...1951 (p. 27)
  • 4 The Birth of HeLa...1951 (p. 34)
  • 5 "Blackness Be Spreadin All Inside"...1951 (p. 42)
  • 6 "Lady's on the Phone"...1999 (p. 49)
  • 7 The Death and Life of Cell Culture...1951 (p. 56)
  • 8 "A Miserable Specimen"...1951 (p. 63)
  • 9 Turner Station...1999 (p. 67)
  • 10 The Other Side of the Tracks...1999 (p. 77)
  • 11 "The Devil of Pain Itself"...1951 (p. 83)
  • Part 2 Death
  • 12 The Storm...1951 (p. 89)
  • 13 The HeLa Factory...1951-1953 (p. 93)
  • 14 Helen Lane...1953-1954 (p. 105)
  • 15 "Too Young to Remember"...1951-1965 (p. 110)
  • 16 "Spending Eternity in the Same Place"...1999 (p. 118)
  • 17 Illegal, Immoral, and Deplorable...1954-1966 (p. 127)
  • 18 "Strangest Hybrid"...1960-1966 (p. 137)
  • 19 "The Most Critical Time on This Earth Is Now"...1966-1973 (p. 144)
  • 20 The HeLa Bomb...1966 (p. 152)
  • 21 Night Doctors...2000 (p. 158)
  • 22 "The Fame She So Richly Deserves"...1970-1973 (p. 170)
  • Part 3 Immortality
  • 23 "It's Alive"...1973-1974 (p. 179)
  • 24 "Least They Can Do"...1975 (p. 191)
  • 25 "Who Told You You Could Sell My Spleen?"...1976-1988 (p. 199)
  • 26 Breach of Privacy...1980-1985 (p. 207)
  • 27 The Secret of Immortality...1984-1995 (p. 212)
  • 28 After London...1996-1999 (p. 218)
  • 29 A Village of Henriettas...2000 (p. 232)
  • 30 Zakariyya...2000 (p. 241)
  • 31 Hela, Goddess of Death...2000-2002 (p. 250)
  • 32 "All That's My Mother"...2001 (p. 259)
  • 33 The Hospital for the Negro Insane...2001 (p. 268)
  • 34 The Medical Records...2001 (p. 279)
  • 35 Soul Cleansing...2001 (p. 286)
  • 36 Heavenly Bodies...2001 (p. 294)
  • 37 "Nothing to Be Scared About"...2001 (p. 297)
  • 38 The Long Road to Clover...2009 (p. 305)
  • Where They Are Now (p. 311)
  • Afterword (p. 315)
  • Acknowledgments (p. 329)
  • Notes (p. 338)
  • Index (p. 359)

Excerpt provided by Syndetics

PROLOGUE The Woman in the Photograph There's a photo on my wall of a woman I've never met, its left corner torn and patched together with tape. She looks straight into the camera and smiles, hands on hips, dress suit neatly pressed, lips painted deep red. It's the late 1940s and she hasn't yet reached the age of thirty. Her light brown skin is smooth, her eyes still young and playful, oblivious to the tumor growing inside her--a tumor that would leave her five children motherless and change the future of medicine. Beneath the photo, a caption says her name is "Henrietta Lacks, Helen Lane or Helen Larson."             No one knows who took that picture, but it's appeared hundreds of times in magazines and science textbooks, on blogs and laboratory walls. She's usually identified as Helen Lane, but often she has no name at all. She's simply called HeLa, the code name given to the world's first immortal human cells-- her cells, cut from her cervix just months before she died.             Her real name is Henrietta Lacks. I've spent years staring at that photo, wondering what kind of life she led, what happened to her children, and what she'd think about cells from her cervix living on forever--bought, sold, packaged, and shipped by the trillions to laboratories around the world. I've tried to imagine how she'd feel knowing that her cells went up in the first space missions to see what would happen to human cells in zero gravity, or that they helped with some of the most important advances in medicine: the polio vaccine, chemotherapy, cloning, gene mapping, in vitro fertilization. I'm pretty sure that she--like most of us--would be shocked to hear that there are trillions more of her cells growing in laboratories now than there ever were in her body.              There's no way of knowing exactly how many of Henrietta's cells are alive today. One scientist estimates that if you could pile all HeLa cells ever grown onto a scale, they'd weigh more than 50 million metric tons--an inconceivable number, given that an individual cell weighs almost nothing. Another scientist calculated that if you could lay all HeLa cells ever grown end-to-end, they'd wrap around the Earth at least three times, spanning more than 350 million feet. In her prime, Henrietta herself stood only a bit over five feet tall.            I first learned about HeLa cells and the woman behind them in 1988, thirty-seven years after her death, when I was sixteen and sitting in a community college biology class. My instructor, Donald Defler, a gnomish balding man, paced at the front of the lecture hall and flipped on an overhead projector. He pointed to two diagrams that appeared on the wall behind him. They were schematics of the cell reproduction cycle, but to me they just looked like a neon-colored mess of arrows, squares, and circles with words I didn't understand, like "MPF Triggering a Chain Reaction of Protein Activations."              I was a kid who'd failed freshman year at the regular public high school because she never showed up. I'd transferred to an alternative school that offered dream studies instead of biology, so I was taking Defler's class for high-school credit, which meant that I was sitting in a college lecture hall at sixteen with words like mitosis and kinase inhibitors flying around. I was completely lost.             "Do we have to memorize everything on tho Excerpted from The Immortal Life of Henrietta Lacks by Rebecca Skloot All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Reviews provided by Syndetics

Library Journal Review

Starred Review. Accessible science at its best, the audio version gives the story of Henrietta's daughter, Deborah, all the gravity and pathos it deserves. Narrated by Cassandra Campbell and Bahni Turpin, who also worked together on The Help. (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Review

Science journalist Skloot makes a remarkable debut with this multilayered story about "faith, science, journalism, and grace." It is also a tale of medical wonders and medical arrogance, racism, poverty and the bond that grows, sometimes painfully, between two very different women-Skloot and Deborah Lacks-sharing an obsession to learn about Deborah's mother, Henrietta, and her magical, immortal cells. Henrietta Lacks was a 31-year-old black mother of five in Baltimore when she died of cervical cancer in 1951. Without her knowledge, doctors treating her at Johns Hopkins took tissue samples from her cervix for research. They spawned the first viable, indeed miraculously productive, cell line-known as HeLa. These cells have aided in medical discoveries from the polio vaccine to AIDS treatments. What Skloot so poignantly portrays is the devastating impact Henrietta's death and the eventual importance of her cells had on her husband and children. Skloot's portraits of Deborah, her father and brothers are so vibrant and immediate they recall Adrian Nicole LeBlanc's Random Family. Writing in plain, clear prose, Skloot avoids melodrama and makes no judgments. Letting people and events speak for themselves, Skloot tells a rich, resonant tale of modern science, the wonders it can perform and how easily it can exploit society's most vulnerable people. (Feb.) (c) Copyright PWxyz, LLC. All rights reserved

Booklist Review

*Starred Review* The first immortal human cells, code-named HeLa, have flourished by the trillions in labs all around the world for more than five decades, making possible the polio vaccine, chemotherapy, and many more crucial discoveries. But where did the HeLa cells come from? Science journalist Skloot spent 10 years arduously researching the complex, tragic, and profoundly revealing story of Henrietta Lacks, a 31-year-old African American mother of five who came to Johns Hopkins with cervical cancer in 1951, and from whom tumor samples were taken without her knowledge or that of her family. Henrietta died a cruel death and was all but forgotten, while her miraculous cells live on, growing with mythological intensity. Skloot travels to tiny Clover, Virginia; learns that Henrietta's family tree embraces black and white branches; becomes close to Henrietta's daughter, Deborah; and discovers that although the HeLa cells have improved countless lives, they have also engendered a legacy of pain, a litany of injustices, and a constellation of mysteries. Writing with a novelist's artistry, a biologist's expertise, and the zeal of an investigative reporter, Skloot tells a truly astonishing story of racism and poverty, science and conscience, spirituality and family driven by a galvanizing inquiry into the sanctity of the body and the very nature of the life force.--Seaman, Donna Copyright 2009 Booklist

Kirkus Book Review

A dense, absorbing investigation into the medical community's exploitation of a dying woman and her family's struggle to salvage truth and dignity decades later. In a well-paced, vibrant narrative, Popular Science contributor and Culture Dish blogger Skloot (Creative Writing/Univ. of Memphis) demonstrates that for every human cell put under a microscope, a complex life story is inexorably attached, to which doctors, researchers and laboratories have often been woefully insensitive and unaccountable. In 1951, Henrietta Lacks, an African-American mother of five, was diagnosed with what proved to be a fatal form of cervical cancer. At Johns Hopkins, the doctors harvested cells from her cervix without her permission and distributed them to labs around the globe, where they were multiplied and used for a diverse array of treatments. Known as HeLa cells, they became one of the world's most ubiquitous sources for medical research of everything from hormones, steroids and vitamins to gene mapping, in vitro fertilization, even the polio vaccineall without the knowledge, must less consent, of the Lacks family. Skloot spent a decade interviewing every relative of Lacks she could find, excavating difficult memories and long-simmering outrage that had lay dormant since their loved one's sorrowful demise. Equal parts intimate biography and brutal clinical reportage, Skloot's graceful narrative adeptly navigates the wrenching Lack family recollections and the sobering, overarching realities of poverty and precivil-rights racism. The author's style is matched by a methodical scientific rigor and manifest expertise in the field. Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and Petri dish politics. Copyright Kirkus Reviews, used with permission.
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