Just take my heart : a novel / Mary Higgins Clark.

Enhanced descriptions from Syndetics:

In her new thriller, America's #1 bestselling Queen of Suspense delves into a legal battle over the guilt or innocence of a man accused of murdering his wife. Woven into her plot is an eerie, little-understood but documented medical phenomenon -- the emergence of a donor's traits and memories in the recipient of a heart transplant. Natalie Raines, one of Broadway's brightest stars, accidentally discovers who killed her former roommate and sets in motion a series of shocking events that puts more than one life in extreme peril. While Natalie and her roommate, Jamie Evans, were both struggling young actresses, Jamie had been involved with a mysterious married man to whom she referred only by nickname. Natalie comes face to face with him years later and inadvertently addresses him by the nickname Jamie had used. A few days later, Natalie is found in her home in Closter, New Jersey, dying from a gunshot wound. Immediately the police suspect Natalie's theatrical agent and soon-to-be-ex-husband, Gregg Aldrich. He had long been a "person of interest" and was known to have stalked Natalie to find out if she was seeing another man. But no charges are brought against him until two years later, when Jimmy Easton, a career criminal, suddenly comes forward to claim that Aldrich had tried to hire him to kill his wife. Easton knows details about the Aldrich home that only someone who had been there -- to plan a murder, for instance -- could possibly know.The case is a plum assignment for Emily Wallace, an attractive thirty-two-year-old assistant prosecutor. As she spends increasingly long hours preparing for the trial, a seemingly well-meaning neighbor offers to take care of her dog in her absence. Unaware of his violent past, she gives him a key to her home...As Aldrich's trial is making headlines, her boss warns Emily that this high-profile case will reveal personal matters about her, such as the fact that she had a heart transplant. And, during the trial, Emily experiences sentiments that defy all reason and continue after Gregg Aldrich's fate is decided by the jury. In the meantime, she does not realize that her own life is now at risk. A compelling novel that probes the mysteries of the human heart and mind, Just Take My Heart is Mary Higgins Clark's most spellbinding tale. The latest work from America's undisputed queen of suspense takes Clark into uncharted new territory, as Emily, one of three friends inseparable since childhood, becomes a pawn in a plan to save one life at the expense of another.

Excerpt provided by Syndetics

1 It was the persistent sense of impending doom, not the nor'easter, that made Natalie flee from Cape Cod back to New Jersey in the predawn hours of Monday morning. She had expected to find sanctuary in the cozy Cape house that had once been her grandmother's and now was hers, but the icy sleet beating against the windows only increased the terror she was experiencing. Then, when a power failure plunged the house into darkness, she lay awake, sure that every sound was caused by an intruder. After fifteen years, she was certain that she had accidentally stumbled upon the knowledge of who had strangled her roommate, Jamie, when they were both struggling young actresses. And he knows that I know, she thought -- I could see it in his eyes. On Friday night, he had come with a group to the closing night of A Streetcar Named Desire at the Omega Playhouse. She had played Blanche DuBois, the most demanding and satisfying role of her career to date. Her reviews had been wonderful, but the role had taken its emotional toll on her. That was why, after the performance, when someone knocked on the door of her dressing room, she had been tempted not to answer. But she had, and they all crowded in to congratulate her, and out of nowhere she recognized him. In his late forties now, his face had filled out, but he was undoubtedly the person whose picture was missing from Jamie's wallet after her body was found. Jamie had been so secretive about him, only referring to him as Jess, "my pet name for him," as she put it. I was so shocked that when we were introduced, I called him "Jess," Natalie thought. Everyone was talking so much that I am sure no one else noticed. But he heard me say his name. Who do I tell? Who would believe me? My word against his? My memory of a small picture that Jamie had hidden in her wallet? I only found it because I had lent her my Visa card and I needed it back. She was in the shower and called to me to get it out of her wallet. That was when I saw the picture, tucked in one of the compartments, behind a couple of business cards. All Jamie ever told me about him was that he'd tried his hand at acting and wasn't good enough, and that he was in the middle of a divorce. I tried to tell her that was the oldest story in the world, Natalie thought, but she wouldn't listen. She and Jamie had been sharing an apartment on the West Side until that terrible morning when Jamie was strangled while jogging early in Central Park. Her wallet was on the ground, her money and watch were missing. And so wasthe picture of "Jess." I told the cops that, she thought, but they didn't take it seriously. There had been a number of early-morning muggings in the park and they were sure Jamie just happened to be one of the victims, the only fatal victim, as it turned out. It had been pouring through Rhode Island and Connecticut, but as Natalie drove down the Palisades Parkway the rain steadily lessened. As she drove farther down, she could see that the roads were already drying. Would she feel safe at home? She wasn't sure. Twenty years ago, after being widowed, her mother, born and raised in Manhattan, had been happy to sell the house and buy a small apartment near Lincoln Center. Last year, when Natalie and Gregg separated, she heard that the modest house in northern New Jersey where she'd been raised was for sale again. "Natalie," her mother warned, "you're making a terrible mistake. I think you're crazy not to try to make a go of your marriage. Running back home is never the answer for anyone. You can't recreate the past." Natalie knew it was impossible to make her mother understand that the kind of wife Gregg wanted and needed was not the person she could ever be for him. "I was unfair to Gregg when I married him," she said. "He needed a wife who would be a real mother to Katie. I can't be. Last year I was away a total of six months in all. It just isn't working. I honestly think that when I move out of Manhattan, he'll understand that the marriage is really over." "You're still in love with him," her mother insisted. "And he is with you." "That doesn't mean we're good for each other." I'm right about that, Natalie thought, as she swallowed the lump in her throat that was always there when she allowed herself to think about Gregg. She wished she could talk to him about what had happened Friday evening. What would she say? "Gregg, what do I do about having the certain knowledge that I know who killed my friend Jamie, without a shred of proof to back me up?" But she couldn't ask him. There was too much of a chance that she'd be unable to resist his begging her to try again. Even though she'd lied and told him she was interested in someone else, it hadn't stopped Gregg's phone calls. As she turned off the parkway onto Walnut Street, Natalie realized she was longing for a cup of coffee. She had driven straight through and it was quarter of eight. By this time, on a normal day, she would already have had at least two cups. Most of the houses on Walnut Street in Closter had been torn down to make way for new luxury homes. It was her joke that now she had seven-foot hedges on either side of her house, giving her complete privacy from either neighbor. Years ago, the Keenes had been on one side and the Foleys on the other. Today, she hardly knew who her neighbors were. The sense of something hostile hit her as she turned in to her driveway and pushed the clicker to open the garage door. As the door began to rise, she shook her head. Gregg had been right when he said that she became every character she played. Even before the stress of meeting Jess, her nerves had been unraveling, like those of Blanche DuBois. She drove into the garage, stopped, but for some reason did not immediately push the clicker to close the garage door behind her. Instead, she opened the driver's door of the car, pushed open the kitchen door, and stepped inside. She felt gloved hands dragging her in, twirling her around, and throwing her down. The crack of her head on the hardwood floor sent waves of pain radiating through her skull, but she could still see that he was wearing a plastic raincoat and plastic over his shoes. "Please," she said, " please ." She held up her hands to protect herself from the pistol he was pointing at her chest. The click as he pushed down the safety catch was his answer to her plea.Copyright (c) 2009 by Mary Higgins Clark Excerpted from Just Take My Heart by Mary Higgins Clark All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Reviews provided by Syndetics

Library Journal Review

Verdict: The legions of Clark fans will enjoy this blended mix of serial killer thriller and courtroom drama. Background: Assistant District Attorney Emily Wallace, recovering from losing her husband in Iraq, takes the lead in prosecuting the estranged husband of a Broadway star for her murder. Unbeknownst to her, her next-door neighbor is a serial killer, and Emily is in danger of becoming his next victim. Many readers may guess who the real villain is in the legal drama, and a plot point about Emily's heart transplant and the donor is perhaps stretching it a bit much. The hints throughout the novel that Emily reminds people of the murdered star also seem awkward. But this reviewer kept turning the pages, and many other readers are sure to follow suit. [See Prepub Alert, LJ 12/08.]-Beth Lindsay, Washington State Univ. Libs., Pullman (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Review

In this intense novel of suspense from bestseller Clark (Where Are You Now?), the obvious suspect in the shooting murder of famous actress Natalie Raines at her Closter, N.J., home is her husband and theatrical agent, Gregg Aldrich, whom she was divorcing. Gregg never wavers from his innocent plea, but Bergen County assistant prosecutor Emily Wallace nails his conviction thanks to the evidence of an ex-con, who testifies Gregg tried to hire him to kill Natalie. Clark neatly details the courtroom proceedings, though of more dramatic interest is a subplot involving oddball serial killer Zach Lanning, who's been stalking Emily while pretending to be a good neighbor. Clark slowly reveals that Emily's recent heart transplant has given the attorney extra sensitivity to Natalie's past. As Emily's doubts about Gregg's guilt grow, the action hurtles to a surprising if abrupt resolution. (Apr.) (c) Copyright PWxyz, LLC. All rights reserved

Kirkus Book Review

An assistant prosecutor trying the biggest case of her life doesn't realize that the victim she's hoping to avenge isn't the only damsel in distress. Fifteen years after her actress roommate Jamie Evans was strangled in Central Park, Broadway sensation Natalie Raines has the awful experience of meeting and recognizing her killer. Hours later, Natalie is shot to death herself. But Bergen County prosecutor Ted Wesley, who never called Jamie's murder anything but a robbery gone bad, fails to connect the two crimes. Instead, he indicts Gregg Aldrich, Natalie's estranged husband and former agent. The most damning (and virtually the only) testimony against Gregg comes from career burglar Jimmy Easton, who bargained down the sentence for his latest job in return for a story about Gregg offering to pay him $25,000 to kill Natalie. Jimmy should be a terrible witness, but he isn't. So even though Michael Gordon, the Courtside TV host who's kept an ominous distance from his old friend in the weeks leading to the trial, runs a series of informal polls that indicate that nearly half the TV audience thinks Gregg is innocent, things look a lot blacker for the defendant in the courtroom. Emily Wallace, the assistant prosecutor Wesley has assigned to the case, wonders if Gregg is guilty after all. Although she doesn't know it, Emily has much bigger problems to deal with. Her solicitous neighbor Zach Lanning is actually Charley Muir, who vanished after killing his wife's family in Iowa and now has his eye on Emily. The closer Emily gets to nailing Natalie's murderer, the closer a second, unrelated murderer is getting to nailing her. Clark (Where Are You Now?, 2008, etc.) handles the courtroom scenes capably, and fans will be as excited as ever coming down the home stretch. It's a shame that the climax awaiting them is the most strained and silly the bestselling author has ever fobbed off on her devoted readers. Copyright Kirkus Reviews, used with permission.