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Strikingly similar : plagiarism and appropriation from Chaucer to chatbots / Roger Kreuz.

By: Material type: TextTextPublisher: Cambridge ; New York, NY : Cambridge University Press, 2025Description: pages cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781009618328
  • 9781009618359
Subject(s): LOC classification:
  • PN167 .K74 2025
Summary: "From students and teachers to politicians and journalists, who hasn't come across a tale of plagiarism these days? In Strikingly Similar, discover the history and psychology of famous and lesser-known incidents of appropriation, as well as the changes in cultural attitudes and the under-explored topic of unconscious plagiarism"-- Provided by publisher.
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Holdings
Item type Current library Collection Shelving location Call number Status Date due Barcode Item holds
Adult Book Phillipsburg Free Public Library Adult Non-Fiction New Books 808.025 KRE Available 36748002640730
Total holds: 0

Enhanced descriptions from Syndetics:

Plagiarism and appropriation are hot topics when they appear in the news. A politician copies a section of a speech, a section of music sounds familiar, the plot of a novel follows the same pattern as an older story, a piece of scientific research is attributed to the wrong researcher... The list is endless. Allegations and convictions of such incidents can easily ruin a career and inspire gossip. People report worrying about unconsciously appropriating someone else's work. But why do people plagiarise? How many claims of unconscious plagiarism are truthful? How is plagiarism detected, and what are the outcomes for the perpetrators and victims? Strikingly Similar uncovers the deeper psychology behind this controversial human behavior, as well as a cultural history that is far wider and more interesting than sensationalised news stories.

Includes bibliographical references and index.

"From students and teachers to politicians and journalists, who hasn't come across a tale of plagiarism these days? In Strikingly Similar, discover the history and psychology of famous and lesser-known incidents of appropriation, as well as the changes in cultural attitudes and the under-explored topic of unconscious plagiarism"-- Provided by publisher.

Reviews provided by Syndetics

Library Journal Review

How is plagiarism defined, and why is it so important? In this work, Kreuz (psychology, Univ. of Memphis; Linguistic Fingerprints: How Language Creates and Reveals Identity) outlines the history of the concept of plagiarism, from Plato to fan fiction. Integrating anecdotes with meaningful discussion points, he guides readers through a comprehensive examination of various elements of plagiarism, drawing on examples from diverse fields, including literature, cartography, music, politics, and academia. He asks, are some examples of plagiarism simply poor citation methodology? What is a copyright trap, and why do some publishers include them in encyclopedias or dictionaries? And finally, in the modern era, is it ethical to use pirated works of literature to train modern artificial intelligence if the authors of these works disapprove of this use? VERDICT Engaging and thought-provoking, this accessible study of plagiarism offers a nuanced perspective on a complex topic. Readers will enjoy the journey and may be left contemplating viewpoints they hadn't previously considered.--Jennifer Moore

Publishers Weekly Review

Cognitive scientist Kreuz (Linguistic Fingerprints) offers a wide-ranging investigation of plagiarism as both a psychological and cultural phenomenon. Surveying famous examples across history, he spotlights plagiarists' reasonings, litigates whether the charge of plagiarism is really warranted in some cases, and explores whether the idea of "unconscious plagiarism" is scientifically plausible. (It is, it turns out--Kreuz ends up making a case that it's so plausible the law should hold those who've committed it less culpable; among the "unconscious" plagiarizers he pinpoints as perhaps deserving a pass are Helen Keller and George Harrison). Examples cited range from Vladimir Putin, who seems to have partly plagiarized his college thesis from a textbook, to the likes of Mahler, Nabokov, and Bob Dylan, the latter of whom, when accused of plagiarism, asserted that "all my stuff comes out of the folk tradition" and "you make everything yours," adding that "only wussies and pussies complain about that stuff." Kreuz notes that his most surprising finding is that plagiarism is far more common a practice than he had realized and that nearly everyone engages in it at some point, many routinely. Indeed, the book presents no one as above reproach--even Jesus, Kreuz points out, was accused of plagiarizing Plato. Full of entertaining anecdotes, this is a thorough overview of current understandings of plagiarism's motivations and its role in artistic production. (Jan.)
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