Reviews provided by Syndetics
Library Journal Review
Moving from the medieval world of the best-selling The Pillars of the Earth and World Without End, Follett's new historical novel is the first volume of a projected trilogy that follows five families-Welsh, English, German, Russian, and American-through the turbulent 20th century. Covering the period 1911-23, the narrative moves from family to family, country to country, as the Great War impends, happens, and closes. In the first pages, a Welsh boy enters the coal mines; he has just turned 13 that day. He can expect a short and dirty life, but it doesn't turn out that way. The book closes in confrontation: the ninth-richest man in Britain, Earl Fitzherbert, is forced by his own sense of manners to shake the hand of a bastard son he has never acknowledged. Fitz seduced the boy's mother when she was his housemaid. Now she's a Labour MP in the postwar coalition government. Fitz is the past. She's the future. The Great War has changed everything, even for the winners. Verdict Though lengthy, Fall of Giants never seems too long or confusing. Great fun, this is sure to be one of the best sellers of the fall season. The global broadcast of a TV miniseries based on The Pillars of the Earth starring Ian McShane and Donald Sutherland is sure to garner even more attention. [See Prepub Alert, LJ 4/1/10.]-David Keymer, Modesto, CA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publishers Weekly Review
This first in a century-spanning trilogy from bestseller Follett (Eye of the Needle) makes effective and economical use of its lead characters, despite its scope and bulk. From a huge cast, eight figures emerge to play multiple roles that illustrate and often illuminate the major events, trends, and issues of the years leading up to and immediately beyond WWI: American diplomat Gus Dewar; Earl Fitzherbert, a wealthy Englishman; Fitz's sister, Lady Maud; German military attache Walter von Ulrich; Russian brothers Grigori and Lev Peshkov; Welsh collier Billy Williams and his sister, Ethel, whom Fitz hires as a housemaid. Ingenious plotting allows Follett to explore such salient developments of the era as coal mine safety in Wales, women's suffrage, the diplomatic blundering that led to war, the horrors of trench warfare, and the triumph of the Bolsheviks. While this tome doesn't achieve the emotional depth of the best historicals, it is a remarkable and wonderfully readable synthesis of fact and fiction. 1,000,000 first printing; author tour. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved
Booklist Review
After a sequence of spy thrillers, Follett burst onto the historical fiction scene in 1989 with the megahit The Pillars of the Earth, set in twelfth-century England, and nearly two decades later (having written many other novels in the meantime), he followed with a sequel, World without End. His new book inaugurates what is to be a trio of historical novels (called the Century Trilogy), and it duplicates in structure the two novels mentioned above: showcasing the lives of five families from all walks of life and involved in various ways with the issues of the day from the outbreak of WWI to the early 1920s and reflecting these issues over a broad geographical range, the families here being from Britain, the U.S., Russia, and Germany. The social range of this big, sweeping, completely enveloping novel is announced in the very first line: On the day King George V was crowned at Westminster Abbey in London, Billy Williams went down the pit in Aberowen, Wales. Actual historical figures populate the narrative along with fictional characters, all of whom experience in different ways war, revolution, and the fight for women's rights.--Hooper, Brad Copyright 2010 Booklist
Kirkus Book Review
A massive, cat-squashing, multigenerational and multifamilial saga, the first volume of what Follett (World Without End, 2007, etc.) promises as a trilogy devoted to the awful 20th century.The giants in question, metaphorically, are the great and noble families of old Europe, a generally useless lot with a few notable exceptions. One such worthy, Lord Fitzherbert (try not to think of Bridget Jones here), is a sun around which lesser planets circle, a decent fellow who had been an admiral, British ambassador to the tsar's court at St. Petersburg, and a government minister. His son, Earl Fitzherbert, is less notable, if fabulously wealthy: He "had done nothing to earn his huge income,"and the presence of the awful Liberals in Parliament, Winston Churchill among them, keeps him from coming into his own as the great foreign secretary he wishes he could be. Into the Fitzherbertian orbit fall the Williamses, Welsh colliers of sweet voice and radical disposition; if Follett's sprawling story has a center, it is in Billy, who is but 13 as the saga opens and has a great deal of growing up to do. In the outlying reaches of the galaxy is Grigori Peshkov, plotter of the Bolshevik victory and slayer of tsarist officers in a scene straight out of Doctor Zhivago, a confidant of Trotsky's, who figures in the later pages ("Trotsky took the bad news calmly. Lenin would have thrown a fit"). He's just one of history's greats to bow into Follett's pages: Churchill figures into the story, as does Woodrow Wilson. But so, too, does a full six-page dramatis personae, so that there's never a dull or unpeopled moment. Throughout it all, Follett keeps a dependable narrative chugging along; if the writing is never exalted, it is never less than workmanlike, though one wonders about anachronisms here and there. (Did Woodrow Wilson, college president and master diplomat, really say "Heck"?)With an announced million-copy initial printing and a national author tour, this is sure to be one of the season's inevitable and unavoidable blockbustersand not undeservedly.]] Copyright Kirkus Reviews, used with permission.